For the third Hercule Poirot film in the Agatha Christie-inspired trilogy, A Haunting in Venice, director and lead Kenneth Branagh reunited with long-time collaborator and cinematographer Haris Zambarloukos. Having worked his magic behind the camera for the first two films, Murder on the Orient Express and Death on the Nile, Collider’s Steve Weintraub spoke with Zambarloukos about the challenges unique to this Poirot mystery and what changed since their last cinematic sleuth.
We spoke with cinematographer Haris Zambarloukos about A Haunting in Venice, Tim Burton’s Beetlejuice Sequel, and digital vs. film.